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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Breakfast with bats, 2017 by Douglas Philip Gimesy

Breakfast with bats, 2017

by Douglas Philip Gimesy
Image
Tim Jarvis
Tim Jarvis
Tim Jarvis

Tim Jarvis, 2018

Doug Gimesy
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2019

Doug Anthony
Doug Anthony
Doug Anthony

Doug Anthony, n.d.

Louis Kahan AO
Portrait, fibre-tipped pen on paper

Collection: National Portrait Gallery
Gift of Mrs Lily Kahan 2017
Donated through the Australian Government's Cultural Gifts Program

Doug Anthony
Doug Anthony
Doug Anthony

Doug Anthony, n.d.

Louis Kahan AO
Portrait, fibre-tipped pen on paper

Collection: National Portrait Gallery
Gift of Mrs Lily Kahan 2017
Donated through the Australian Government's Cultural Gifts Program

Doug from Eden, 2018 Yvonne East

Doug from Eden, 2018

Yvonne East
Image
Alex and Doug Dunn, 2013 by James Brickwood

Alex and Doug Dunn, 2013

by James Brickwood
Image
D. H. Souter
D. H. Souter
D. H. Souter

D. H. Souter, n.d.

Will Dyson
Portrait, brush and ink, gouache and pencil on paper laid on cardboard

Collection: National Portrait Gallery
Gift of Doug Hall 2003
Donated through the Australian Government's Cultural Gifts Program

Omega, 2013 by Robin Eley

Robin Eley

More about In the flesh artists

Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011.

Vincent, 2012 by Linda Wachtel

Vincent, 2012

by Linda Wachtel
Image
Recruit (Self Portrait in the image of my son), 2012 by Michael Peck

Michael Peck

More about In the flesh artists

Born in Melbourne in 1977, Michael Peck has a Bachelor of Fine Art (honours) (Painting) from Monash University. He has exhibited as a solo artist since 1998, when he won the National Gallery of Victoria’s Trustees Award.

JS Study 1
JS Study 1
JS Study 1

JS Study 1, 2014

Jasper Knight
Portrait, enamel and synthetic polymer paint on conservation card

Gift of Ross Steele AM 2021. Donated through the Australian Government's Cultural Gifts Program.

Rose, 2011 by Natasha Bieniek

Natasha Bieniek

More about In the flesh artists

Born in Melbourne, Natasha Bieniek began her formal artistic training at the Victorian College of the Arts in 2002.  Bieniek’s When the music’s over (2006) won the Nino Sanciolo Art Prize, a painting scholarship to study at the Accademia d’Arte in Florence, where she learnt the ancient technique of egg tempera.

The tennis player (Ken Rosewall)
The tennis player (Ken Rosewall)
The tennis player (Ken Rosewall)

The tennis player (Ken Rosewall), 2010

Sinead Davies
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of the artist 2010

Robert Dessaix
Robert Dessaix
Robert Dessaix

Robert Dessaix, 1998

Robert Hannaford AM
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Robert Dessaix 2000
Donated through the Australian Government's Cultural Gifts Program

Hugh Jackman

Portrait story

Magazine article by Vincent Fantauzzo, 2022

Artist Vincent Fantauzzo on dyslexia, connection and virtual sittings with Hugh Jackman.

Portrait of Professor Graeme Clark

Inspiration + Realisation: Peter Wegner

Magazine article by Katherine Russell, 2006

Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.

Richard Tognetti #1510

Richard Tognetti #1510, 2018

by Louise Hearman
General content

Commissioned with funds provided by Peter Weiss AO 2018

Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Nicholas Paspaley Jnr

Nicholas Paspaley Jnr, 2018

by Andrew Bonneau
General content

Commissioned with funds provided by Ross Adler AC 2018

The Writer, Peter Goldsworthy

The Writer: Peter Goldsworthy, 2018

by Deidre But-Husaim
General content

Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.

Barry Humphries

Clifton Pugh

Australians
Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Study for Aunty Mary King, 2010 by Mathew Lynn

The animating signature

Magazine article by Joanna Gilmour, 2019

Joanna Gilmore delights in the affecting drawings of Mathew Lynn.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Untitled (girl on chair with red shoes) by Violet Frisby

Finding Mrs Frisby

Magazine article by Robyn Sweaney, 2016

Robyn Sweaney's quiet Violet obsession.

Self Portrait with Stetson, 2011 by Darren McDonald

Painting them gently

Magazine article by Penelope Grist, 2015

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam
Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

image not online

Portrait Donors

Listed by year
Honour board
David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011
General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency